Victoria Viprada reveals her idea of resonance in nature and combines it in her ethereal videos and photographs, exploring the themes of intimacy and tactility. Fragmentary images of natural landscapes and metal structures intertwine with bodily parts, leading from the concrete to the abstract, from the organic to the inorganic. In this process, the body is transformed, integrating foreign elements and converting into a new, synthetic reality.

"The immersive installation, co-developed with my colleagues, merges ceramics, moving visual elements, and sound. This dark room of the Resonances exhibition serves not only as a focal point for the convergence of each participant’s artistic approach but also immerses the viewer in a space of temporal play.

The interaction between real and virtual objects, tangible and reflected, as well as the eternal material of ceramics and the temporary nature of digital installations, creates a ‘time-blurring’ effect, capturing the observer on the waves of time where the past and present connect in an endless chain of associations. The ceramic chain - 37 meters of Valentina Arkadi’s delicate and fragile creativity, not only links sculpture and the flowing image but also transforms into a visual metaphor, transporting the viewer through space and time. The sound flow, arising from the sounds of clay friction, leads into a meditative state, created by Karen Grigorean.”

Victoria Viprada